G.K. Chesterton, My Favorite Apologist

He was the fattest, happiest, wittiest Catholic I have ever heard about.

I discovered him in high school, though it wasn’t until college when I began to realize just how amazing of a writer he was.

His defense of reason and God was astounding. His rhetoric and retorts were both pleasant and thought provoking. His mastery of the English language was breath taking. If more Christian authors were to read him, they would be better Christians.

However, here is the thing that first attracted me Chesterton and that which I strive to obtain in my teachings, conversations, lectures, and writing. And that one thing is joy.


We (apologists) get so caught up in defending and answering and proving and debating and reading and writing and studying that it is very easy to lose the joy of our goal: to show Christ as true and Christianity as reasonable.

As the Westminster Catechism reminds us: The purpose of man’s existence is to know and enjoy God. If we fail to do this as Apologists, then perhaps we really are “adding to the noise,” (Jon Foreman).

One of the most wonderful passages I remember reading from Chesterton was in his masterpiece Orthodoxy, as he answers the question (with out being asked, mind you) “How old is God?”

“Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we.”

This was a man who delights in answering questions, not because he knew the answer and liked to answer questions, but because he knew who the answer would lead the questioner to, and he delighted in the introduction.

What about you? Do you like Chesterton? If so, what books?

If not, what other apologist to you tend to gravitate towards?

Children of a Dark City

Years ago, I wanted to be an author. This was the first chapter in a book I started working on and got pretty far. Enjoy!



“Two roads diverged by a wood,

And I, I took the one less traveled by

And that has made all the difference.”

-Robert Frost.

I’m told that the most important part of a book is the opening line. Most of the time, a reader, like yourself, will base the entire book off of the first sentence. Most writer’s have a great opener: it was dark and stormy night, once upon a time, little did he know, etc. Me, I guess my opening line was me telling you that the most important part of the book was the opening line. If you’re still reading this, it must have been a good opener. Well, I’ll stop wasting your time and get to the story. It’s strange, almost unbelievable, but it’s my story. Sometimes I still wake up in cold sweats, calling out names of people I think I remember. I’m getting ahead of myself. Whether anything changed at all will be up for you to decide. Maybe it’s a pointless story, but it’s my story. People die. I die. Life finds a way, somehow. Don’t bother searching for allegory or metaphor. You won’t find it here. All of this happened. Actually happened. My…wife has encouraged me to write out all that happened so here it is. My story.


The trees lean bare, their dark forms, cracks against the full moon which hangs, cratered and scared, sadly, solemnly in the ominous night. A falling star steals our captivity for a moment, then dies out, leaving us wanting to find where it landed, following the scorch marks of what we would never find – stains of hopeful dreams that only scattered with the morning light, leaving us wanting to sleep, and to sleep perchance to dream, again. Laughter is the echoed shadow against the still blanket that covers the empty and opinionated world of fear and sorrow. We learned to live with the Unknown.

The Unknown was accepted but never allowed to thrive or to even govern us. Our fathers and mothers all fought for the Unknown, trying to grasp It’s concepts, it’s reasons- a ceaseless struggle – trying to comprehend and decipher It’s meaning; holding and trying to understand and find logic in its orderly chaos. But the Unknown hid its true nature until the last, plausible moment, then, in one clean sweep, obliterated the existence of us. For like children, they were infuriated by the prospect of not knowing, and it was in that mentality of uncertainty that drove the mothers and fathers to reach what was beyond their grasp.

They created the Unknown; they fought the Unknown; they died from the Unknown.

They said that we wouldn’t understand- that we couldn’t and they insulted themselves by calling us “too young” forgetting that they, too, were once “too young.” Like many, they had forgotten that children are much more grown up then they seem to be. They said It’s logic was too hard or too great a depth for us to grab a hold to and wrap our minds around. They had forgotten that children held a spectacular awe of mysteries that maturity seemed to kill the minute the cradle is abandoned. Funny, we were the ones who had accepted the Unknown for what it was, what it had always been and will always be- a mystery.

We lived our lives realizing that the mystery would never be solved. Their ignorance caused this abomination, and they died for it.

We were all that was left.

We were all that survived.

We will pick up the pieces they threw aside so carelessly and learn to live with the difference.

They- our fathers and mothers- said we were impenetrable, the impregnable force of the world. We had the best of everything, we were unstoppable, and yet we were the weakest of nations, the lowest of ideals. However, if ever there had been a blessing and a curse in humanity it would have been our curiosity. Curiosity. Curiosity destroyed our homes, our world, us. It killed the world we loved. They couldn’t accept the fact that maybe, just maybe, some stones should be left unturned- that some things should be left in the dark, never exposed to the light. Their lust for knowledge and their greed for revelations is what caused the war and the fear. Curiosity killed a lot of cats.

Other nations and peoples, once our allies and friends, feared what we had become- what we could be, what we could do. In that fear, they attacked and sought to destroy us as well as our prideful hunger and self preservation, and they would have, too, if we hadn’t destroyed ourselves before they reached our shores. If our ignorance to the natural way of things hadn’t been lost, we would have survived this onslaught and thrived. But we failed in that. Our fathers and mothers failed.

Activists and rioters had publicly, and quite violently, disapproved of the tampering with The Unknown. They boldly walked in circles, holding up signs with words of opposition splashed upon their surfaces. Some even went as far as to lay down on the roads and sidewalks. Some prayed in religious tabernacles and sanctuaries for their lords and saviors to stop the horrendous experimentation and prodding because for some unexplainable reason, they knew nothing good would come of their…curiosity. And in return, the gods seemed to have turned a deaf ear towards their prayers.

With every new discovery, man hungers for more.


The Wheel.


Space Travel.


It was what it was- the Unknown. It had the aurora to trigger the desire of humanity’s inescapable need to apprehend It’s essence based on our own lack of self-confidence, if there was ever such a true thing as self-confidence.

They, the forefathers and creators of this monstrosity, gave what they were doing a good name. The television made it seem acceptable. Whenever it was addressed in conversations and interviews, a majority would praise the work as if they knew all the secrets behind the velvet curtain, while the minority was shut out of the circuits. Showers of compliments and approval fell from the populations mouth like a soft, warm rain. Most fell for their propaganda. Some saw through the charade. Not all, but a few. We were a handful of those few who kept their heads. Literally.

We had known each other for years. We all went to the same small town school where everybody knew everybody, but we had only been together for a few months. Friends that were closer than a family- a family that trusted better than friends. We came together with our belief that the Unknown would be left alone. In total, there were five of us.

Keira always shook her blonde hair furiously whenever she was happy. Or when she was trying to stiff a laugh. She was a fan of purple and I had always seen her as the responsibility in my life. Her smile would light up the room and break the hearts of all the second grade boys across the classroom. She was seven. She was my sister.

Mark, the oldest at twenty-one, was built and you could call him a preppy jock, but we liked him anyways. Athletic, smart, handsome, a poster child for what the college heartthrob should be. He had brown hair and foggy eyes matched with a sense of self-sacrificial loyalty and devotion to his family.

If Mark Peter was the father, then Brit was the mother. She was two years younger than Mark and the two held a silent affection for the each other. Maybe it was because she was almost as tall as Mark that made us look up to her, and maybe it was because she had appointed herself as my little sister and I’s “other” mother, but we had all turned to Brit in times of emotional frustration or confusion. Her full name was Brittany Lassette Hearing and we would often call her “Legs.” But never to her face.

Fitch was our little brother from Ireland and he always let us know how much Dublin was better than anywhere else, especially here. At twelve, he had already decided that he wanted to be a race-car driver, just like dad number two – his favorite dad. He had a lisp and it was adorable.

And last, there was me – Sam. I was freshman fresh meet and my family had just moved to this new town a few months ago. I loved music and movies and had a strange attraction to sushi. You know, the average hormonal confused American college student. I was single but was holding out for her. I thought I had found her, my first love, my first true love. I was in heaven on earth.

The five of us watched as one by one, droplets were added to the ocean of masses that were convinced that they had found security in their homes and office buildings. They found comfort in a lie, but they found comfort, nonetheless. Maybe it was because they wanted to hear what they wanted to hear. Maybe it was because Freud was right- they just wanted to suppress the truth because they couldn’t handle it.

The End was imminent and inevitable and when it came, they were astonished and lost. The safety they were promised was as false as the conned interviews they viewed on the television- as false as their own comfort they imagined for themselves with their perverted lies. It was as false as the hope they had come to love and cherish as the absolute truth


It’s been so long since I’ve said that word without feeling sick to my stomach. It’s been so long since we’ve had unquestionable truth- a truth so definitive that not the slightest qualm of conscience could doubt it. A truth so concrete that it couldn’t be tested for flaws. I hadn’t heard truth in so long I assumed the idea had died out. Fear, became the new truth, and all sought rest within the shadow of that flippant wing.

Fear was never the actual problem- pride was. It was fear that said “I have seen the end and there is no hope,” but it was pride that said “No one can help us except ourselves. We are alone and we want it that way.”

The day humanity failed was over in less than a minute.

It seemed the Unknown had exhausted its patience and finally unleashed It’s fury upon us, ending any other hopes of or thoughts of tempting this mystery. In a brilliant and glorious flash of radiant, blinding light, mountains enflamed, forests fell, buildings crumbled, monuments shattered, and the heavens laughed at our ignorance. Ideas and theories that had yet to be conceived would never surface. Loves and passions that could have flamed a lifetime would never be kindled from the festering ashes left behind by the Calamity. Dreams that might have defied a world would never leave the bodies that now lay strewn across the streets of a place once called home.


A throbbing pain in my shoulder made me open my eyes. The sun was blazing brightly, but there were no clouds above my head. I was on my back looking up where there was supposed to be a ceiling, but there wasn’t. Pushing the remains of the school off my sore body, I saw what had haunted my dreams for as long as our curiosity of the Unknown‘s had been present- a flat landscape. No hills. No trees. No cars that polluted the air. No mounds of dirt made by ants. Nothing.

That horizon was just one of the nightmares that came true that day. While the dead, dusted faces looked up at me as I passed by, I could remember every one of them- their names, their laughs, full of life and expectation. Some I knew well, and others…

They didn’t matter. They were gone, lost somewhere between a pictured heaven and a glimpsed hell. They meant nothing to me- I wasn’t close to them. I simply remembered them as they were, as they used to be. They weren’t family and family was all that mattered- was all that ever mattered. That’s why I was able to run past their grounded bodies without hesitation, because I was worried about family. I had prayed before, but not like this. I prayed hard. I prayed for Keira.

The school was leveled so I franticly searched my mind to remember where her class was. When I found it, I saw the chalkboard shattered- bits had landed on the students who would never learn. The teacher would never lead or instruct as their lifeless bodies lay facedown in the rubble. ‘No one could have survived this,’ I told myself. No one.

I heard movement in the corner of the room.

Jumping over the ruins of the building and bodies, I reached the sound and started pulling, digging, throwing away pieces of wall and desk from my hope that lay buried beneath. My hands became bloodied from the cuts from the metal and stone. Her hand feebly, loosely clung to mine as I lifted her from the debris. Her jeans and shirt were torn and dyed with a warm crimson liquid. Both of her legs fell awkwardly and bent unnaturally. Her bright and cheerful face was cut and blacked and dirtied and her hair was matted against her head and had lost its luster. Her body was limp as I held her in my shaking arms.


I met her emerald, tearful eyes with my own and for a moment we looked deep into each other. All the memories that we’d shared, all the times we had experienced together, all the love we had, passed through me like a movie that ended too soon. ‘Don’t you let her out of your sight,’ father and mother had told me. ‘She’s your responsibility. She’s your treasure.” As the film rolled, the memories formed tears and they fell like rain from the sky.

“What’s wrong?”

I forced a weak smile. “Nothing. Nothing’s wrong. Everything’s…everything’s just fine,” I said, fighting back the salty tears that lined my eyelids.

“Do you see them?”

I looked around, not seeing anything and yet, seeing everything as it was.

“No I don’t, Freckles. I don’t see anyone.”

“They’re so pretty. Their wings are so pretty. And they’re singing,” she coughed.

“What are they singing?”

She looked at me with her full eyes and said, “Our song.”

My lips began to twitch as I fought the quiver. I still don’t know why, but I started to sing the song she heard- the song that was ours’.

Hush little baby, don’t you cry.

Brother’s going to sing you a lullaby.

As I sang our special song, I could feel her

body growing cool to my touch and heavier to my hold. Kneeling to the dust and crumble, I carried on.

And if that mockingbird don’t sing,

Brother’s going to buy you a diamond ring.

She let one final breath escape her lips before her eyes clouded over. We looked into each others’ eyes until as her skin tightened and she slowly fell away and then was gone.

My capillaries screamed. My cry echoed in my ringing ears. “Look after your little sister,” they said. “She’s your responsibility,” they said, and I let them down- I let her down. “She’s your treasure,” they said, and I lost her. I let her die in my arms. I was too weak to save the only person I loved- the only person I ever needed in the world. I let her slip through my trembling, bleeding, rotting fingers.

I knelt there for the longest time, cradling my sister, rocking back and forth, forth and back, singing to no one and anyone who was willing to listen. Anger, fear, hatred, and apathy all swelled at once within me, unable to find an outlet. Broken, I was permanently broken.

Mark, Brit and Fitch found me later, whether that was a day later or a week, I didn’t care. I was still there, holding her- a testament to my frailty. I didn’t realize they were there till Brit, motherly put her hand on my shoulder.

“You ready to go?” she asked, trying to be strong for someone who was not.

For the first time, I pulled myself back to the nightmares of reality- the world’s destruction, the end of an absolute power that in it’s corruption, destroyed absolutely.

I stood, still carrying her. “Could you give me a sec?”

She smiled. “Ok, Sam. We’ll be right over there when you’re ready. We love you, ok,” and they all turned and walked away, leaving me to face the wake of my ruin, alone and isolated, just as it should have been.

Maybe this is what I deserved. All of my mistakes and sins had all of a sudden surfaced so quickly that I became numb to their existence because I had become so used to their presence. Maybe this was God telling me that I couldn’t do it anymore, that I had fought as long as I could on my own and now it was His turn to fight for me because I couldn’t defend myself anymore.

I looked around, saw the scared life for what it had become, saw what was left of home and was sad, not only for my lost, but for those like me who had lost as well.

I laid her back into the corner and made her grave out of what was around me. I found a piece of chalk and a shard of board and wrote:

Keira Folds

2004- 2011

The favorite of my family.

I set the reminder on top the mound of rubble, leaving it to stand the test of time – knowing it wouldn’t – accepted the fact that she was gone and said, “Goodbye Freckles.”

Then I turned and walked away, never once looking back. The past is dead, and with it a part of me lies dormant, never to be revisited, never to be forgotten, never to be relived. The wonderful paradox of loss.

We lived our lives realizing that the mystery would never be solved. Their ignorance caused this abomination and they died for it.

We were all that was left.

We were all that survived.

We will pick up the pieces they threw aside so carelessly and learn to live with the difference.

“Two roads diverged by a wood,

And I, I took the one less traveled by

And that has made all the difference.”

-Robert Frost.

Let My Life be a Liturgy

Let my life be a liturgy

Formed and ordered by the Word;

So compel and control

My Body, Spirit and Soul,

That Christ may be known by all in me.


Let my life be a liturgy

Stained and covered by the Ghost:

I to listen and heed

In thought, in voice, and in deed,

That Christ may be known to all by me.


Let my life be a liturgy

Held and car’d by the Father;

He to plan and create,

Redeemed from our sinful state

That Christ may be known in all to me.


Let my life be liturgy

Lived and molded by the Fold;

We to worship and obey

As we repent, confess and pray,

That Christ may be known for all through we.


Let my life be a liturgy

Known and ‘membered by our LORD;

We to trust and believe

And in faith we then receive

That Christ may be known by all through Thee.


by T.S.O. Drake

Reflections on the Birth of my Third Daughter

“On behalf of every man
Looking out for every girl
You are the God and weight of her world

So fathers, be good to your daughters
Daughters will love like you do
Girls become lovers who turn into mothers
So mothers be good to your daughters too” – John Mayer
I remember the first time I heard this song by John Mayer. I didn’t get it.
Now that I have three daughters, it’s almost haunting how Christ-like these lyrics are for a father.
Whenever Ashlie and I had our first daughter, Aubrielle, I was struck with a thought, one that has shaped how I teach my classes, talk to my wife, and interact with my children:
If I can’t talk about God to my children in a way they understand, I have no right talking about God to adults.
For some, this is obvious – not so to others.
This is why I ask my daughters, “How did you get to know Jesus better today?” rather than “What did you learn about Jesus?” when we meet after Sunday service and I pick them up from the nursery.  God is not an idea, but a person, an objective reality who changes everything when you experience his presence. I’m preparing them for their encounters with God.
Now, with three daughters, Aubrielle, Aumerie, and Auria, I am once again confronted with the simple yet foundational idea:
If I can’t talk about God to my children in a way they understand, I have no right talking about God to adults.
Why is this so important?
Primarily, my job is to teach my children about the reality of God.
Secondarily, my job is to keep them alive.
Tertiarily, my job is to prepare them to live with out parents, but not without community.
Now, depending on the age and situation, these can flip flop easily. But they cannot be ignored.
The greatest good I can do my children is to teach them, show them, remind them, live for them, the reality of God.
I am blessed with a glorious purpose and responsibility. All fathers are.
So fathers, be good to your daughters.

My Favorite Films

What makes a film great?

People have been trying to answer this question since cinema first appeared on the scene. Pun intended. When asked, “What are the greatest films of all time?” the list actually doesn’t vary that much.

Generally, you see these ten films, not necessarily in this exact order each time, but very little variation occurs.

1. Vertigo

2. Citizen Kane

3. The 7th Seal

4. 2001: A Space Odessy

5. The Passion of Joan of Arc

6. The Searchers

7. City Lights

8. The Godfather

9. Seven Samurai

10. 8 1/2

Or something to that affect.  Feel free to include or substitute Casablanca, In the Mood for Love, The Mirror, Apocalypse Now, Raider of the Lost Arc, It happened One Night, Wild Strawberries, The Bicycle Thieves, Rashomon, The General, Battleship Potemkin, Raging Bull, and a few other as you please. Why these films? Primarily because they changed the established visual medium forever: the structure of story altered, editing shifted, music evolved, the camera moved differently, the acting raised the bar, etc. With these films, the cinematic landscape of movies advanced boldly to new levels. pushing the craft towards unexpected territory.

However, the greatest films of all time are not always a filmmakers favorite film. Greatest and favorite are not the same, and many directors and filmmakers got into the game by a film that wouldn’t be considered “One of the Greats.”

Here is a list of my 10 Favorite Films with a brief blurb about why each one is on the list:

  1. Hamlet (1996) – Directed by Kenneth Branagh:

This is the perfect film. It’s one of the few films that I have no complaint with. From the acting to the costuming, score to editing, cinematography to production design, this film uses the filmmaking process to every advantage. Not enough praise can be given to this adaptation of Shakespeare’s best work.

2. The Lord of the Ring (2001-2003) – Directed by Peter Jackson

Epic. The word has almost no value in our modern society. However, this trilogy has no other apt description. The two dominant aspects of these films that strand out to me is the management and handling of of some odd dozens of characters and yet we understand the motives and intent of every single one of them, and the imagery. Cinema has the daunting task of having to provide images that become engrained into the culture and seared into the minds of the audience.

3. Ikiru (1952) – Akira Kurosawa

This is the first Kurosawa film that left me unable to move after the final scene. How do you present the story of a man who knows he will die; how do you explore that theme and not leave the audience bored; how do you discover the humanity in a character who doesn’t care for humanity? There is no other film that best deciphers man’s mortality than Ikiru.

4. Le Samourai (1956) – Jean-Pierre Melvile

When I discovered the Criterion Collection, this was the first film I bought mainly because of the cover: the title and the coolest man I had ever seen looking to the right, anticipating an unseen obstacle and planning his next move. This is Jef, a French hitman, and this is the coolest film I have ever seen. From the jazz score to the cat and mouse detective game, this film makes such a complex arthouse film look easy and simple.

5. Stalker (1979) – Andrei Tarkovsky

The most frustratingly philosophical film I have ever experienced. This actually might be my favorite film – I haven’t seen it enough. Only three times. Yet every time, the primary aspect that stands out is the movement of the camera. This is the best shot film I have ever seen – the camera movements emphasize the themes and questions the film explores. And there are no easy answers. Perhaps the reason I find this film so fascinating is that I discover more and more with each repeat viewing and not only am I made a better filmmaker for it, but a better person as well.

6. Pride and Prejudice (2005) – Joe Wright

I merely saw this film at the right time in my life to realize that every aspect of filmmaking has to work together to tell the story or else the film doesn’t work. Everything within the established film world has to make sense and follow the “world rules” presented in the film. This was the first film I understood that with. This film, every part of it, makes sense.

7. Howl’s Moving Castle (2004) – Hayao Miyazaki

Miyazaki, possible the greatest animated film director of all time. He has not made a bad film. Not many in the industry can hold that torch. He produced classic after classic, but this one has always stuck with me. I think it’s because of the unexpected story and how its presented on screen. I remember finding myself (this still happens today) absorbed in the uniqueness of world, the quirkiness of the characters, the majesty of the art, and there’s a fire demon who likes bacon.

8. Heat (1995) – Michael Mann

The first time I saw this film was on VHS at Arlis Moon’s recording studio when I was in 8th grade while the band I was in (Too Few Forgotten) was recording our second EP. It was late and I was tired. But from the opening heist, I was hooked and awake. Not enough has been said about his film’s realistic portrayal of the honest criminal underworld and the corrupt police department. The coffee scene between Pacino and De Niro is the most intense conversation ever filmed – a perfect masterclass of the craft.

9. A Man for All Season (1966) – Fred Zinnemann

I hate “based on a true story” films. They bother me because film is essentially a lie – a fabrication. The actors are pretending, the script is ultimately the author’s interpretation of whatever they are writing about, editing doesn’t happen in real life. However, the story Sir Thomas Moore never succumbs to the inadequacy of the usual blandness and unnecessary exaggeration of these types of films. Still based on a true story, the grand story never feels forced or metallic; rather it is surprisingly warm and convicting, while being equally extravagant and intimate.

10. Sorcerer (1977) – William Friedkin

The sound. This film is the best example of how sound becomes its own character in the film world. Never has sound design and editing left me sweating – and the film is only PG! No music needed – no acting required – just the sounds of two truck’s being driven by four wicked men across roadless South America with unstable nitroglycerin in their trunks and every tire screech and twig snap and wind howl and wave splash and gun shot and labored breath to put us in their frame of frantic mind.


What about you? What are your favorite films and why? Let me know in the comments! Thanks for reading.

Why I Have My Kids Watch Hayao Miyazaki Films

The Bible can be a very difficult book to read. I believe this is why it is often misinterpreted, misunderstood, and misrepresented.

That is not to say that I have all the correct interpretations, understanding, or that I best represent what it teaches. I am still learning. But I have learned a lot. Some of my students think too much.

However, one of the most defining sections of the Old Testament is the History books, Joshua through Esther, in the Protestant Bible. These books are wonderfully scripted, expertly crafted, painfully detailed, and, above all, not at all western literature.

Yes. They are not western literature. This is eastern history telling. Middle-eastern history telling. That is why there are sections that sound like other Middle-eastern writings also from that time: they shared a same literary identity. This is no different than modern day literary styles and techniques: literature, though not necessarily the content of that literature, is a product of its time.

And the history books of the Old Testament are Middle-eastern historical literature.

So, what does this have to do with why I have my kids watch Hayao Miyazaki films?

Simple: they aren’t western literature either.

Hayao Miyazaki is a Japanese animator, often called the Disney of Japanese animation ( a title he abhors). He has made some of the greatest animated films of all time (yes, even compared to Disney). We study him in my filmmaking class (or will, depending on when you are reading this), especially how he uses plot to serve the characters and his depiction of evil (of any of his characters could be that).

For clarification, Japan is not Middle-east, it is far-east. Nevertheless, it still shares a great distinction of not being the west.

In my own life, I have fallen in love with Miyazaki’s imagery over and over again. From my first viewing of KiKi’s Delivery Service in my grandparents lake house to rewatching The Wind Rises in my own house with my wife (Ashlie), watching Miyazaki’s work has done something that not many other films have, at least for me:

They have helped me understand an  eastern form of story structure that is almost completely absent in the west, and by doing so, helped be better pick up the varying literary styles and shapes of the Historical Books of the Old Testament.

Disney is western visual literature; Miyazaki is eastern visual literature – the cinematic language used by both master is only distinct by how they format a story.

The Old Testament is not western; it is eastern.

This is why  I have my kids watch Hayao Miyazaki films, so that they will hopefully have a better understanding of how eastern story telling works.

I hope that ‘s what they get out of it.

A Personal Ranking of the Marvel Cinematic Universe Film.

As a lover of film, the influence of the Marvel Cinematic Universe cis undeniable. It has changed how Hollywood does film franchises. This type of language, a cinematic universe, was unheard of until now (although you could argue that Laurel and Hardy did it first, or the Universal Classic Monsters did). Now, studios are trying to create the next big thing. Good luck.

So, following a long line of movie goers, I hopped the bandwagon and arrived at my ranking of the Marvel Cinematic Universe.

Not in the Marvel Cinematic Universe, but definitely better films are X2: X-Men United and Spiderman 2 (the Tobey McGuire one).

18. Thor: The Dark World

17. Iron Man 2

16. The Incredible Hulk

15. Avengers: Age of Ultron

14. Ant-Man

13. Captain America: The First Avenger

12. Thor: Ragnarok

11. The Avengers

10. Captain America: Civil War

9. Spider-Man: Homecoming

8. Guardians of the Galaxy, Vol. 2

7. Iron Man 3

6. Doctor Strange

5. Black Panther

4. Iron Man

3. Thor

2. Guardians of the Galaxy

1. Captain America: Winter Soldier


And there ya go. What do you think? Leave a comment below and let me know what’s your favorite Marvel Cinematic Universe Film.